The house is not a set of compartments. It is a sequence of spatial experiences, where circulation is integral to daily life rather than residual space.
The roof is conceived as a defining element. Its geometry is both functional and symbolic—shedding water and snow while shaping interior space through light and shadow.
Balconies are not applied additions, but natural extensions of the form, integrated into the overall geometry.
The program is straightforward—garage below, living spaces at the middle, bedrooms above—but the architecture resists reduction to a checklist. It is defined by movement, by the connection between rooms, and by volumes that allow the building to breathe.
The row house must not be a simple stack of floors. It must be understood as a fabric of volumes—integrated, dynamic, and alive.